It's a wrap!

From Write Stuff co-chair Tammy Burke, keynote Jim Frey, and chair Kathryn Craft: thanks to everyone who turned out for our 2010 conference! Thanks, too, for supporting this inaugural year of the blog.


I (Kathryn) promised you a wrap-up here and an opportunity to post your favorite conference moments in the comments section. Sorry it took so long! Took me a week to whip my requested agent submission into final shape (yay! hope renewed!); I'm sure there are others of you at home doing the same thing.


Thank you for the mad flurry of congratulatory notes in those few first days after the conference. Most appreciated. But now let's get to the important stuff: the stories!


Every good story starts with a character at the extreme end of the bell curve, we learned from our "How to Plot Like the Pros" workshop leader Jim Frey, and in his own persona Jim provided a great character for the story of this year's Write Stuff conference. As for plot, the dialectic would go something like this: "the wannabe author insists on writing by the seat of her pants" meets opposition by Jim Frey—"that's not going to work"—creating a new situation in which the wannabe author embraces outlining, and actually feels that writing a salable novel within a reasonable time period might be possible.


More than half of the 70 evaluations returned to us listed one of Jim's sessions as their favorite--an unprecedented majority, considering our group represents all kinds of nonfiction writers and poets as well. Yet Jim did not exemplify the slick promotional package that is today's successful author.


Admitting to having lost his comb in the 1970s, Jim more often came across as a gruff old mountain man ("Oh no," I heard the What Not to Wear crew say, "that plaid flannel over-shirt is all wrong with those pants!"). But just when you thought you had him pegged, he'd say something unexpectedly tender. His comment during the keynote about why we write—to transform ourselves—had me suddenly close to tears.


But Jim was only part of the conference. Molly Cochran and Jordan Sonnenblick also wowed, and every other speaker was either noted as a favorite or remarked upon kindly in our evaluations. But the conference isn't just about the sessions—a lot of networking and informal conversation creates memorable moments, too. What are some of your favorite 2010 Write Stuff moments? I'll get the ball rolling here, then add my own comment. Please follow suit! We all had different experiences, and will be the better for sharing them. That's what the Write Stuff spirit is all about.

Kathryn's favorite Jim Frey story:

After his morning session on Saturday, "The Power of Knowing Your Premise," Jim pulled me aside in the hallway to review his schedule for  the rest of the day. Keep in mind he was asking me after two full days of his workshop, and after the hubbub of the conference was well underway—my brain was already "Freyed." So I went to look up his schedule in my notebook. He said, "Don't bother, I have it here [he flips through his clipboard]...I think it's the keynote, right?"

Sounded good to me. As he walked away from me down the hall, affording me a great view of that unkempt hair, I heard him say, "Good. I have to go to my room and write a new keynote. I used up all my material in that last session."

I hadn't yet stopped laughing when Dianna breezed down the hall. Jim must have just missed her. "Do you know where James Frey is?" she asked. I told her he was in his room, rewriting his keynote. And she said, "Room 235 is full of people waiting for his informal genre chat."

Oops.

I called Jim in his room, told him about the mix-up, and he immediately headed for Room 235—and led a genre chat that at least one participant would remark was her favorite session of the entire conference. Following that, with no planning session remaining, Jim delivered a keynote from handwritten notes that many would consider the highlight of their conference.

Please leave a comment: What was your favorite Write Stuff moment?

The Inside Scoop on The Write Stuff: Part I

The 2010 Write Stuff Conference is coming up fast. Greater Lehigh Valley Writers Group President Tori Bond caught up with Kathryn Craft, Conference Chair, and Tammy Burke, Conference Co-Chair, for some insider information about what’s new this year, tips about making the most of the conference, and some advice about networking with agents and editors at the conference.

Tori Bond: The Write Stuff conference usually runs Friday and Saturday but this year it starts on Thursday, March 25th and runs through Saturday the 27th. Can you tell us what’s happening on Thursday? What else is new this year?

Kathryn Craft: Expanded pre-conference activities this year required that we tack on Thursday as well. Our keynote, James N. Frey (HOW TO WRITE A DAMN GOOD NOVEL) actually proposed it: we will offer a two-day workshop with James, "How to Plot Like the Pros," in which he will lead us through the collective plotting of a story in two 8 a.m.–5 p.m. sessions. We hear that former participants have loved it. Since the first conference activities on Friday begin at 6:30 p.m., conferees who choose to do so can participate in both without conflict. This will be a rare opportunity for East Coast writers to interact James, who lives in California, and has a reputation as one of the finest creative writing teachers in the country.

On Thursday night, we'll offer a special conference edition of The Writer's Cafe. This informal networking event will encourage conferees to get to know one another while talking about our favorite subject—writing. The 7:30-9:30 p.m. event is free, open to all conferees, and, if we're pitching work to agents or editors at the conference, we can practice our pitches on one another and gain feedback.

T: How many years has The Write Stuff conference been going on? Why do you feel it has been so successful for so many years?

K: This is the 17th year for GLVWG, which has held a conference in one form or another every year but one, I believe. There are so many reasons for its success—the opportunity to gain valuable face time with agents and editors, to learn more about the craft, to gain insight into the world of publishing, to keep up-to-date on new trends, to network, to refuel the muse—that maybe its very diversity of opportunity is the answer. There's something for everyone. We continue to find new ways to reach out to writers and meet their needs.

T: You’ve attended, and helped organize other writers conferences in the area. What do you feel makes The Write Stuff unique?

K: It's size—small enough for good interaction yet large enough to attract good speakers and agents—and the fact that rather than support a set agenda, we actually listen to the evolving needs of the writing community. A GLVWG member once told me that she had been coming to the conference for ten years and that it held nothing new for her (remember, Joan?). She may not realize it, but I took that comment on as a challenge. Yes, there are some topics we always see requested, like the agent panel or how to write a query letter. But in the years I've been involved with programming we've tried to find fresh approaches and new topics so that conferees both old and new will be stimulated. This is now my 10th Write Stuff conference and I have to admit, I'm going to have a devil of a time deciding which sessions to go to, which makes me glad conference recordings are available to our members!

T: I know that you strive to schedule workshops that have appeal for the widest range of writers. For example, can you talk about why a science fiction writer would be interested in attending the session, "How to Seduce Your Reader" given by romance writer Tracy MacNish?

K: GLVWG is made up of all kinds of writers and our presenters know that. Since we have three breakout rooms to play with, my approach has been to create a fiction track, a nonfiction track, and a business of publishing track so that specialists always have a session they might be drawn to. We do have genre writers heading the fiction sessions; you mentioned Tracy, who writes historical romance. Fiction writers who want to sell their books know that including a little sizzle goes a long way toward selling books. Tracy happens to have a specialty at this, and she can share techniques that can work in any kind of fiction. Our YA writer, Jordan Sonnenblick, creates great characters, so why not learn from the best? Bill Kent can break down the basics of writing action in a way someone who’s done it less may never have considered. When you go to a talk by someone who knows what they are talking about, someone who communicates effectively and with passion, you always take away something worthwhile. No matter the genre, good writing is good writing, and good storytelling is good storytelling.

T: What is your best tip for getting the most out of The Write Stuff conference?

K: The most obvious one is SIGN UP EARLY. You'll save yourself money through Early Bird discounts (discounts end Feb. 25), including Four Points Sheraton hotel rooms at an all-time low of $85/night, and you'll stand a good chance of getting your first choice for opportunities with limited enrollment.

Once you are on site at the conference, though, my advice is to play to your weaknesses. The conference is about opening yourself to new people and ideas and opportunities, after all. Many writers are introverts, so if talking to other writers scares you, use the conference to practice—again and again. Telling fellow writers about your project this year is great groundwork for pitching it to agents next year. If your specialty is creating an effective sense of time and place you might be drawn to Tracy's session on that topic—but maybe what you really need to hear is what a veteran like Molly Cochran has to say about actually finishing all those projects you've started. If you fear the way the internet is changing the publishing world yet still hope to succeed, make sure to attend David Wilk's session on the new rules and tools for writers. Stretch yourself in this way and you will see how quickly a little discomfort will translate into new inspiration.
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Besides her responsibilities as Conference Chair, Kathryn Craft is also a developmental editor at Writing-Partner.com, and writes literary women's fiction and memoir.  

Tori Bond is the President of the Greater Lehigh Valley Writers Group and writes humorous women’s fiction.  

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More from Tori's interview, including responses from Co-Chair Tammy Burke, in our next post.

The keynote revealed!

We are thrilled to announce that the keynote for our 2010 conference will be internationally acclaimed creative writing teacher and workshop leader James N. Frey, the author of HOW TO WRITE A DAMN GOOD NOVEL; HOW TO WRITE A DAMN GOOD NOVEL II; THE KEY: WRITING DAMN GOOD FICTION USING THE POWER OF MYTH; HOW TO WRITE A DAMN GOOD MYSTERY; and the forthcoming HOW TO WRITE A DAMN GOOD THRILLER. He is also an award-winning playwright and the author of nine novels, including the Edgar Award-nominated THE LONG WAY TO DIE and WINTER OF THE WOLVES, a Literary Guild selection.

[One of his works of fiction was not the controversial memoir A MILLION LITTLE PIECES—that’s another James Frey.]

Jim’s workshops have been an enduring attraction at the Oregon Writers Colony, the Heartland Writers, the University of California Extensions novel writing workshop, the California Writers Club Conference, and the Santa Barbara Writers Conference, where former GLVWG member Barbara Howett got to know him. Her recommendation led us to him. We are most excited to host this rare East Coast appearance!

Frey’s keynote will be “The Writer’s Life: The Power and the Passion.” In addition, Frey will speak at the conference on two great topics: “The Power of Knowing Your Premise” and “How to Write Damn Good Prose.” He is looking forward to meeting conferees at the Friday night Welcome Reception: “When I go to conferences I always spend time with the writers,” he says. “I enjoy meeting them and sharing war stories.” He has also offered to serve as a Page Cuts panelist, and will regale those who share his passion for mysteries and thrillers with insider information at an informal genre chat.

But that’s not even half of it... More in the next post.